Noah and Miley Cyrus have released their live cover of Noah’s ballad “I Got So High That I Saw Jesus” on Monday morning (Oct. 26). “No one knows how excited we are to be releasing something together for the very first time,” Noah wrote. “thank u sissy for singing with me and as always making it sound effortlessly beautiful.”
While it’s hard to believe this is the first time the siblings have released something together, it’s about time because their voices beautifully compliment each other on the stripped-down piano and voice version of the tune from Noah’s EP The End of Everything. It’s been a very busy summer for the Cyrus sibs, with Noah performing “This Is Us” with Jimmy Allen at the CMT Music Awards, as well as releasing a cover of Mac Miller’s “Dunno” for charity and teaming up with Diplo for “On Mine.”
Miley’s been grinding away during the pandemic lockdown as well, chatting with Democratic vice presidential candidate Sen. Kamala Harris about the importance of voting in the Nov. 3 presidential election last week, announcing a new album, Plastic Hearts, releasing a moving cover of Pearl Jam’s “Just Breathe,” teasing a Metallica covers album and dropping her long-anticipated MTV Unplugged special.
Fans have been waiting since May 2019 for Miley to drop her upcoming album, titled “She Is: Miley Cyrus”, and the wait is finally over as Miley has just posted on her social media platforms that her seventh studio album is set to drop on 27th November, renamed to “Plastic Hearts” with fans able to pre-order / pre-save the album now, and instantly receive Miley’s promo single, her cover of “Zombie” by The Cranberries, which we saw Miley perform live last week for for Save Our Stages Fest.
I can’t speak for everyone when I say that watching Miley Cyrus writhe around Whiskey A Go Go doing a guttural rendition of “Zombie” by The Cranberries hit me like a Sambuca chaser at 2AM – but it does seem to have struck a collective chord.
The performance has been trending across social media since it aired live on Sunday, generally accompanied by the words “AMAZING” and “JSDHFKSDF”. I guess it’s where many of us are at right now, but whatever handle I had left on my emotions has been shown the door by Miley and her James-Hetfield-chuffing-20-B&H-a-day voice belting out a song written in memory of two young boys killed in an IRA bombing.
Miley Cyrus has been in a perpetual state of transformation since 2008. She’s gone from Disney actress, to controversial pop star, to self-releasing a sprawling psychedelic album with Wayne Coyne, to Instagram girlfriend country pop, to “Cattitude ft. RuPaul” in the same amount of time it’s taken Ed Sheeran to make three near-identikit albums in the same plaid shirt.
Objectively, it’s been hit and miss. There was Bangerz – an album eternally tethered to 2013 for all the wrong reasons, its accompanying VMAs performance with Robin Thicke (which was like watching all my sleep paralysis demons having a ketty party) and a song called “Milky Milky Milk” that we probably could have done without. Though her public persona has remained largely the same throughout the 2010s, each artistic reinvention has been an extreme departure from the last – and, for one reason or another, they have all missed the mark.
Miley Cyrus has revealed that she is currently working on a Metallica covers album.
The ‘Midnight Sky’ pop star covered the band’s classic track ‘Nothing Else Matters’ during her rock-orientated performance at Glastonbury 2019, and has recently offered up live renditions of Blondie’s ‘Heart Of Glass’ and The Cranberries’ ‘Zombie’.
During a recent conversation with Interview Magazine, Cyrus explained that she is now back in the studio — and that “we’ve been working on a Metallica covers album and I’m here working on that”.
“We’re so lucky to be able to continue to work on our art during all of this [the coronavirus pandemic],” she added. “At first, it felt uninspiring and now I’ve been totally ignited.”
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